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Remariée à un brillant chirurgien, mère de trois enfants, Susan Morrow mène une vie plutôt paisible. Jusqu’à ce qu’elle reçoive un étrange présent : son premier mari Edward qui, plus jeune, se rêvait romancier, lui envoie le manuscrit de Bêtes de nuit, un roman qu’il vient d’achever, afin de connaître son avis, elle qui à l’époque l’encourageait tant à écrire. Le trouble naissant de Susan ne va faire que croître au fil de la lecture : ce livre raconte en effet le calvaire d’un homme, Tony, kidnappé sur l’autoroute avec sa femme et sa fille, alors qu’ils se rendaient dans leur maison de vacances dans le Maine. Inquiétant : Susan possède elle aussi une maison dans le Maine.

Que veut réellement lui révéler Edward… ? La lecture de Bêtes de nuit va être pour Susan le temps d’une pénible introspection et d’une réflexion sur le sens de sa propre vie.

Avec un incomparable talent, Austin Wright nous propose ici un roman policier haletant, d’une grande profondeur psychologique, ainsi qu’une puissante réflexion sur les pouvoirs de la lecture.

Tony e Susan – Austin Wright

Tony and Susan, Austin Wright

In this intriguing accomplished novel, the author of Camden’s Eyes and several works of literary criticism combines a stark take on a film noir theme with a postmodern meditation on the act of reading. Susan Morrow is surprised to hear from her former husband Edward, who has written a novel entitled Nocturnal Animals, which he asks her to read.

The main character in the novel is Tony Hastings, who, in a late-night drive with his family from Ohio en route to Maine takes a detour down a dark road into death, confused grief and vengeance.

As Susan becomes involved in Tony’s journey, she relives her past life with Edward and reviews her present one with her current husband, Arnold–both men she could never “read” the way she reads Tony. She finds herself asking two questions: how will Tony survive his trip’s terrible events, and what sort of a man has Edward become? And because Edward is “real” and Tony is fictional, only her speculations about Tony will be answered to her satisfaction.

Written in contrasting styles–Tony’s account in sharp prose that ricochets in unexpected directions, Susan’s musings in fluid passages of emotional and sensory perceptions–the novel’s two stories mesh into a credible, suspenseful narrative. Wright infuses this excellent work with resonating observations about the reality of violence, where the loss of humanity is the price of revenge, and the “reality” of fiction and its place and power in day-to-day life.

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